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Tour Management
Welcome to Tour Management!
How this course is set up on Teachable
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1. Why We Go On Tour
1.0 Intro-Misty Roberts (1:13)
1.1 Why Go On Tour (6:10)
1.2 Salary-PDs-Negotiating (8:13)
1.3 Levels of Touring (5:56)
1.4 Music v Other Touring (5:03)
2. Touring Personnel
2.1 How Do You Get a Touring Job (2:13)
2.2 Tour Manager (7:08)
2.3 Production Manager (4:53)
2.4 Audio (3:04)
2.5 Lighting (3:29)
2.6 Backline (3:01)
2.7 Merch (4:59)
2.8 Drivers (1:43)
2.9 Larger Crew (11:28)
2.10 TM/FOH feat. Che Arthur (19:59)
3. Non-touring Personnel
3.0 Overview (1:22)
3.1 Artist Management (4:35)
3.2 Business Manager (2:33)
3.3 Promoter (4:48)
3.4 Booking Agents (4:05)
3.5 Runners (3:59)
3.6 Local PM-Crew (3:09)
3.7 Union Labor-Stagehands (6:40)
3.8 Creative (3:31)
3.9 Catering (6:52)
4. Production
4.0 Overview (1:34)
4.1 Audio-Lighting-Power (2:47)
4.2 Other Production Elements (2:28)
4.3 Trucking (3:02)
5. Advancing
5.0 Overview (0:40)
5.1 Collect Personnel Details (3:16)
5.2 Tour Routing (3:19)
5.3 Riders (5:18)
5.4 Advance Time (2:06)
5.5 Confirm Details (3:22)
5.6 Production Advance (2:05)
5.7 Daily Schedule (3:47)
5.8 Guest List-Security (6:11)
6. Contracts/Settlement
6.0 Overview (0:48)
6.1 Terms (3:45)
6.2 Show Costs (5:50)
6.3 Settling a Show (4:30)
7. Budgeting/Accounting
7.0 Overview (1:16)
7.1 Income (2:39)
7.2 Expenses (4:59)
7.3 Hospitality (3:48)
7.4 Tour Bus (2:00)
7.5 Production (5:05)
7.6 Expendables (4:38)
7.7 Taxes (1:47)
7.8 Receipts (2:25)
7.9 Merch (4:28)
7.10 Accounting (4:11)
8. Transportation
8.0 Overview (2:22)
8.1 Self Booking (8:44)
8.2 Travel Agents (6:40)
8.3 International Travel (10:32)
8.4 Carnets-Freight (8:58)
9. Tour Buses
9.0 Overview (2:28)
9.1 When do I hire a bus? (5:19)
9.2 Types of Buses (3:22)
9.3 Bus Drivers (8:07)
9.4 Drive Limits (6:27)
9.5 Bus Trailers (3:14)
10. Day of Show (DOS)
10.0 Overview (0:58)
10.1 Tour books-Day Sheets (6:27)
10.2 Day of Show (DOS) (11:39)
10.3 Data Management (4:43)
Thanks for joining - Next steps
11.0 Good luck out there! (4:14)
2.10 TM/FOH feat. Che Arthur
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